- Kresge 4317
Christina Kiaer (Ph.D., University of California, Berkeley) teaches twentieth-century art, specializing in Russian and Soviet art, the politics of realism and the avant-garde, Comintern aesthetics, the visual culture of anti-racism, and feminist theory. Her first book Imagine No Possessions: The Socialist Objects of Russian Constructivism (MIT Press, 2005) was awarded an Honorable Mention by the Wayne S. Vucinich Prize of the American Association for the Advancement of Slavic Studies. That year she also published an interdisciplinary volume of essays on Soviet cultural history, co-edited with Eric Naiman, on Everyday Life in Early Soviet Russia: Taking the Revolution Inside (Indiana University Press). Her book Collective Body: Aleksandr Deineka at the Limit of Socialist Realism is forthcoming from the University of Chicago Press. She is currently at work on the project “An Aesthetics of Anti-racism: African Americans in Soviet Visual Culture,” from which she has published the articles “Anti-racism in Early Soviet Visual Culture,” in “Black October: The Russian Revolution and the African Diaspora,” forum on Black Perspectives (online journal of the African American Intellectual History Society) in 2017 and “African-Americans in Soviet Socialist Realism: The Case of Aleksandr Deineka” in Russian Review in 2016; the essay “A Comintern Aesthetics of Anti-racism in the Animated Short Film Blek end uait” is forthcoming in the volume Comintern Aesthetics.
She appeared in the film Rouge! L’Art au Pays des Soviets (2019), which was broadcast on French television and screened during the run of the exhibition Rouge! Art et utopie au pays des Soviets at the Grand Palais, Paris in Spring 2019. She was involved in two local 2017 exhibitions marking the 100th anniversary of the Russian Revolution. She was co-curator, with Robert Bird and Zachary Cahill, of Revolution Every Day at the Smart Museum, University of Chicago, and an editor of the catalog, Revolution Every Day: A Calendar (Milan: Mousse Publishing, with the Smart Museum of Art, 2017). She was also a consultant, member of the catalog collective and catalog essay writer for the exhibition Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test at the Art Institute of Chicago. Previously, she served as consultant curator on the 2009 exhibition Rodchenko and Popova: Defining Constructivism at the Tate Modern Museum, London, and as a special advisor to the 2011 exhibition Aleksandr Deineka: An Avant-Garde for the Proletariat at the Fundación Juan March in Madrid.
She was the winner of a Weinberg College Research Innovation Grant (W Award) at Northwestern University in 2018, and has held postdoctoral research grants from the Alice Kaplan Institute for the Humanities, Northwestern University; the Institute for Advanced Study, Princeton; the American Philosophical Society; the Social Science Research Council; and the J. Paul Getty Foundation, among others.
Program Area: Global Modern and Contemporary
Regional Specialization: Europe
Regional Interests: Twentieth-century art, specializing in Russian and Soviet art, the politics of realism and the avant-garde, the visual culture of anti-racism, and feminist theory and art
Revolution Every Day: A Calendar, co-edited with Robert Bird and Zachary Cahill (Milan: Mousse Publishing, with the Smart Museum of Art, 2017)
Christina Kiaer, “African-Americans in Soviet Socialist Realism: The Case of Aleksandr Deineka,” The Russian Review 75:3 (July 2016): 402–33.
Christina Kiaer, "Lyrical Socialist Realism," October 147 (Winter 2014): 56-77.
Christina Kiaer, "Collective Body: Christina Kiaer on the Art of Aleksandr Deineka," Artforum 51.3 (November 2012): 243-249.
Christina Kiaer, Imagine No Possessions: The Socialist Objects of Russian Constructivism (Cambridge: MIT Press, 2008).